Timeline of online dating services - Wikipedia
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Consolidation within the online dating industry has led to different newspapers and magazines now advertising the same website database under different names. In the UK, for example, Time Out "London Dating"The Times "Encounters"and The Daily Telegraph "Kindred Spirits"all offer differently named portals to the same service—meaning that a person who subscribes through more than one publication has unwittingly paid more than once for access to the same service.
L'Oracle () - IMDb
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We do try to bring scope and the scale that you would expect but do it in a way that we can understand the characters and relate to them. Even before then, Harvey Fierstein pitched his version of the story to Disney's executives, but was turned down. But the characters didn't resonate. Which is why John felt that audiences wouldn't really be able to connect with them. At that stage, the first major breakthrough was the decision to rewrite the film's protagonistAnna who was based on the Gerda character from The Snow Queenas the younger sibling of Elsa, thereby effectively establishing a family dynamic between the characters.
If you do[,] it will be great. If you don't, it will suck". In the original, Elsa had been evil from the start, kidnapping Anna from her own wedding to intentionally freeze her heart and later descending upon the town with an army of snowmen. So that was when we really found the movie and who these characters were". Because the minute it is [understood,] it deflated. No more than that. No less than that. At the story meeting where Ripa pitched his take on the story, Lasseter said, "I've never seen anything like that before", followed by a standing ovation.
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But that was close. In hindsight, piece of cake, but during, it was a big struggle. Their posture was too good and they were too well-spoken, and I feel like I really made this girl much more relatable and weirder and scrappier and more excitable and awkward. I'm really proud of that.
It has everything, but it's essentially about sisterhood.
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Mumbai's famous dabbawalas were provided actual lunchboxes to deliver, and followed by a four-member film crew, which filmed the process in documentary style. The site's consensus is: This film illustrates how love transforms the unlikeliest of people. Gupta of The Telegraph gave two thumbs up to The Lunchbox calling it "as much a moving and muted love story as it is an evocative portrayal of loneliness. If you're in the mood to witness genuinely moving cinema, you're in for a treat.
The delectable taste of this lunchbox remains in your mouth much after you've left the theatre. There are three women in three marriages in this film, of which two are ailing.
The third one is over, almost, only the last rites haven't been performed.
There are two men in the film — one who has lived a full life and is getting ready to quietly slip off the face of the earth; the other is eager to begin… What's both shocking and soothing is what the film shows us — that it takes very little for a soul to come back to life. Mostly, just a hint of hope will do.
But it does tick all the boxes that might appeal to festival audiences: It provides local colour, without being demandingly untranslatable.